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Published on 10/26/2022

Painting print, black canvas illuminated with white, monochrome and minimalist.
Urban, constructivist, the pale light poeticizes the concrete blocks at night.
| The word BERLIN, why? Probably like the Bauhaus style born in Germany in the 1920s: cubic or square, functional and devoid of ornaments |
A minimalist, timeless, refined and simple style that goes straight to the point. | ![]() |
According to the Bauhaus style, the pierced windows had to be square,
covered with noble materials, and aligned in the pure Prussian tradition.
I like…
![]() | Thrown in a scruffy fashion, the strokes are hesitant, poorly finished, and yet observe a frame: a thick tile, cut with imprecise lines |
Nothing is rigid, the squares are rectangles, a little high, a little trapezoid, a little deformed. | ![]() |
There is no coldness or hardness in this monochrome, steel-black composition.
A regularity emerges, soothing.
| The print disappears in favor of the garment, it serves as a jewelry box for the face, it envelops you like a tartan, a tweed, it is discreet, and easy. … |
BERLIN, a word that sounds, hits, it has imposed itself, I can't help it...

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2 fabrics for BERLIN:
Polyester poplin, heavy and matte, dedicated to skirts, trousers and dresses. It moves with majesty, adjusts with a hint of elastane. Machine washable, do not iron. Very modern and particularly fitting to accompany the BERLIN print. | ![]() |
Viscose for the shirts, a tribute to excessive femininity. Fluid and soft, modern. For those resistant to ironing, no worries: let it dry on a hanger, it smoothes out at your body temperature. What I call the elegant negligee... | ![]() |